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Red Mastering Studio

{Red Mastering Studio}{se218hp London}{London}{se218hp}{London}{UK}{ 44 (0) 207 193 3307}
se218hp London, United Kingdom se218hp London London
Phone: 44 (0) 207 193 3307 $$$ Red Mastering Studio

Have a Clear Overview on Barcodes Used In Music Industry

If you realize that your item will be distributed and sold through the usual wholesale or may be the retail channels, you should then definitely consider paying the additional cost for the bar codes. The barcodes that are generally used in sales and marketing come in two different formats- one is the EAN13 and the other is the UPC-A. The first one is common. The second one has the advantage of being readable in most of the places in Europe and USA. But the EAN13 is more generic to the European market.

EAN-13

There is always a common misconception regarding the barcodes. It is that the information that is given about the numbers and the products that are related is held on to some database at a particular place. But, in the actual terms, it is not the case. It is true that we always keep the records of the numbers that we have allocated to each of the products. However, the barcode is pointless to anyone unless someone like retailer or the distributor buy the product and at the point when enter the stock control system. Here, the barcode is tied to the product details like the artist name, record label, catalogue number, price and the title. The barcode now becomes meaningful to that particular retailer or the distributor. Online mixing and mastering services first keep in mind how to use the barcode.

Where can you Get the Barcode?

The GSI UK administers the barcode number system. Now the GSI has the scheme for all the musicians and the labels for getting the individual barcodes. Alternatively, you can also get the EAN format barcode that is given on the products that are manufactured on behalf of the customers. If you give a small administration fee, you will be getting the barcode number that will be allocated to each of the product. This actually does not include creating the barcode graphic.

On the other hand, if you are selling the download version of the album on the site, you may be already having the barcode number that is allocated to the album. This will allow you to use the same number on the product, but it is important to find the barcode at first. If you are not having the barcode facilities in the design software, you can then add the barcode to the artwork and send it to the music engineer for mastering music online.

Know how you will Design the Barcodes for Artwork

If you want to design your own artwork and you are having the barcode facilities in the design software, you can then create the barcode graphic from the barcode number and then add to the artwork.

The edges of bar should be sharp, so that the resolution of the barcode is less than 600 dpi. When the barcode is created in the design programme, the barcode is having the standard size. The size is reduced normally to 80% and cropped to the top half of the bar, as the entire vertical height is not required. Be sure, that the barcode color is having a grey scale or 100% black.

Jonathan Wyner of M-Works Mastering discusses about ISRC, mastering – metadata, quality checks, UPC and and other important information

The GSI, the original source of barcode is the one that creates the confusion between the UPC and EAN. The UPC code is the original format for the product barcodes.  The demand of barcodes is increasing day by day in countries like Europe, Asia and Australia, and thus the country codes are added.

The UPC code is the 12 digit number and the EAN is the 13 digit number. The EAN number is the number that is associated with the album, merchandise item, EP or the single track. The ISRC code is used for identifying the individual recording but the UPC or the EAN code is used for identifying the group of recordings or products.

Apart from these barcodes, the copyright licensing is very important. Before manufacturing several copies of CD, cassettes, vinyl and DVD, you require thinking about the copyright licensing. Without the copyright licensing, anyone can use the tracks anywhere. So, it is very important to have a copyright for each of the individual tracks.

Using Free Best Mastering Software

Music tracks can be the equivalent of noise, or they can be something more, if an engineer has competently mixed or arranged the sound elements. While even the best mastering software is just a tool, and cannot replace the skill of a professional, much can be said for using a good mastering app to edit the tracks. This can vary from a base program to a number of plug-ins.  Red mastering uses the best paid tools in each such category, rest assured. But for those who have acquired some skills, but may be lacking in the budget department, the below examples of free and affordable tools can get the job done.

Equalizers M/S.  Among the top freeware apps in this category are BaxterEQ by Variety of Sound, MQ57 by J1000, and NCL Phase EQ by matt42 (all three programs are in Windows). For equalizers that are linear-phase, there’s Marvel GEQ by Voxengo (Mac, Windows), ReaFIR by Cockos (Linux, Windows), and SplineEQ by Photosounder (Windows).  Apps for dynamic equalizers include DuckEQ by HeelAudio (Mac), IQ4gui by Platinumears (Windows), or Smash Pro by Jeroen Breebaart (Windows).

Compressors. The best mastering software for free in this area (clean) are TDR Feedback Compressor II by Tokyo Dawn Records (Mac, Windows) or ReaComp by Cockos (Linux, Windows). Compressors for coloring include DCAM FreeComp by FXpansion (Mac, Windows), Density mkIII by Variety of Sound (Windows) and Molot by VladG Sound (Mac, Windows). Among multi-band compressors are 5ORCERY by Platinumears (Windows), Broadcast by Jeroen Breebaart (Windows), C3 Multi Band Compressor by slim slow slider (Mac, Windows), and ReaXComp by Cockos (Linux, Windows).

Limiters et al. Effects tools of this type include  Barricade Pro by Jeroen Breebaart (Windows), Limiter №6 by VladG Sound (Mac, Windows), along with LoudMax by Thomas Mundt (Mac, Windows). Two saturation programs  controlling for that factor are IVGI by Klanghelm Audio (Mac, Windows) and TesslaPRO mkII by Variety of Sound (Windows). Exciter programs  include Thrillseeker XTC by Variety of Sound (Windows) and You Wa Shock ! by Image Line (Windows).

Other programs provide help for miscellaneous effects like clippers, transient shapers, M/S, spectrum analyzers and mastering suites, among other functions. Use of these applications can help one ‘master’ their mastering and mixing skills and familiarity with such software, until they may move on to better paid programs. In the meantime, freeware like BaxterEQ, TDR Feedback, Density mkill , Limiter etc will more than get you by.